Giles Ahead
He's
the most famous ex-librarian in Sunnydale, the man behind
the Gold Blend ads and an original star of 'The Rsocky
Horror Show'. Here Anthony Stewart Head talks 'Buffy',
'Ripper', 'Manchild' and his debut album, 'Music For
Elevators'.
Interview by Manish Agarwal
Settling down to chat in the bar of the Grosvenor House
Hotel, the first thing you notice is the ear stud. The
second is the accent: half-posh, half-London. 'My father
was a public-school boy and he'd correct us all the
time,' says ASH (47, extremely well preserved). 'I used
to say 'you' and he'd say, 'It's 'yew'!' We
moved from Camden down to Hampton in Middlesex when
I was about six. I went to grammar school. I'd say 'yew'
and get beaten up. So I very quickly developed the ability
to change. Consequently, several girlfriends have said
that when I get into a taxi I'm immediately [exaggerated
cockney] 'Awright!' But all actors are chameleons
a bit.'
Head has certainly had a varied career. After leaving
LAMDA in 1976, his early stage roles included Jesus
in 'Godspell' and Frank N Furter in 'The Rocky Horror
Show'. Moving from the West End to television, he got
his first taste of fame in 1982, starring opposite Sharon
Maughan in the 'will they, won't they?' Gold Blend ads.
Those ran for ten years, but staying in work afterwards
was a struggle. 'I owe all of it to my partner, Sarah.
When the commercial here had done its thing, she said
that I should go over to the States. I got an agent,
then it came time to do a stint in the pilot season.
I went over alone and after two months of twiddling
my thumbs. I said, 'It's driving me mad, why am
I here?' Sarah said, 'Go to acting class,
learn how they do it.' So I did. The day I signed
on at class I got a Fox show called 'VR5'.'
An appearance in 'NYPD Blue' followed, before Head
landed the part that has made him a star: genteel ex-librarian
and father figure Rupert Giles, from TV's greatest drama
'Buffy The Vampire Slayer'. After five years in Los
Angeles and 100 episodes as a regular cast member, Head
decided last summer to return to Bath to be with his
family. Happily, this fitted in with 'Buffy' creator
Joss Whedon's plans for the sixth series, where Giles
is a recurring guest character.
'Season Six is definitely about taking responsibility.'
says Head. 'That's why Joss has me leaving - I realise
I'm standing in Buffy's way. She comes back a very changed
person. I'd love to dip in because I like to see everybody,
but I always defer to Joss's innate sense of theatre.
He always knows what works. And he's got a great writing
team now, which is why he's able to back off a bit and
talk about doing 'Ripper'.
'Ripper' is Whedon's proposed collaboration with the
BBC: a melancholy spin-off vehicle for Giles (the title
refers to the character's nickname as a tearaway student).
It's been in gestation for a while. 'Joss wrote a two-hour
pilot,' says Head. 'He only wants to do a short order,
like a British drama series - he pitched it to me as
'Cracker' with ghosts. Now I believe he's
got an order for six, and the pilot stands slightly
outside of that. So I think he's writing another episode
to give to the BBC an idea of budget and where it's
placed. I've suggested the West Country (a) because
it's where I live and (b) because it's steeped in myth
and tradition. Joss is up for that, but first he's got
to break a series for Fox as part of his contract. He's
also doing a movie, and the Buffy cartoon is on it's
way.'
In the meantime, Head can be seen alongside Don Warrington,
Ray Burdis and Nigel Havers in 'Manchild', a new BBC2
sitcom about four middle-aged men who still want to
behave like lads. 'Initially, there's nothing to recommend
them. You know, 'We've got money, we've got babes, we've
got fast cars.' As it progresses, you realise that they
aren't these confident guys they paint themselves to
be. They're flawed, and there are huge flaws in the
argument that all you need is to get out of your marriage
late in life with a packet of money, and then have the
time you always wanted.'
He's fulfilled a few other ambitions, though ... 'We
used to hang out at Joss's place Sunday nights and do
Shakespeare readings. I got to do my Richard III recently.
Then we'd have a few tequilas, sit around the piano
and sing. I talked to Joss years ago about doing a Buffy
musical, and then finally in the summer he sat down
and wrote 'Once More, With Feeling' [episode seven of
season six]. He's taken the inaccessible area of musical
- why does everybody start singing? - and turned it
to his advantage. It's the answer to 'Hush' [season
four's spellbinding silent episode] where nobody could
talk. We all sing about the things we're thinking; musicals
are about expressing those emotions that you can't talk
about. It works a real treat.'
Finally, there's an Anthony Stewart Head album, titled
'Music For Elevators' (in tribute to Brian Eno's 'Music
For Airports'). 'Well, um, it's a little thing I did
with this electronics composer, George Sarah. We brought
in a bunch of friends: James and Amber [Marsters and
Benson, aka Spike and Tara] to do backing vocals, and
Joss wrote a really sweet song for it. When I first
played it to him I was very nervous, because his roots
are the Grateful Dead. So when I recorded his track
he didn't like it at all. But I played it again when
we got the mixes and he said, 'Ooh, you made me funky!'
I don't know if it'll ever hit England. I'm not intending
to hype it. There's a little website and the fans can
find that if they're feeling adventurous.
'Manchild' starts on BBC2 in Feb. 'Buffy' season five
is on BBC2 on Thursdays (repeated on Fridays). Season
six starts on Sky One this Thursday (10 Jan). 'Music
For Elevators' can be bought from
www.cmhrecords.com
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