Nov 24/00
9:00a by Ian Spelling
Teenhollywood.com
After four
years of slaying 'em with words, Marti Noxon has taken matters
into her own hands. The "Buffy the Vampire Slayer'' scribe
got her chance to step behind the camera for the first time
when series creator Joss Whedon assigned her to direct the Dec.
19 episode, "Into the Woods.''
"Directing
was something I've always wanted to do - I just didn't feel
ready until now,'' Noxon says. "This is my first job on a television
show of any length, and I've been biding my time and learning
from the master, from Joss Whedon.
"It just
got to the point where I realized I couldn't read any more books,''
she says. "There's a part of directing that just can't be taught.
It's very intuitive, and you have to learn by doing it. So I
knew that I had my head packed full of ideas, and I had to go
have the experience.
"And it
was terrifying.''
Whedon,
series star Sarah Michelle Gellar and the rest of the cast and
crew were very supportive, she says, and "didn't laugh'' when
she presented a game plan that fell apart on the set. But she
drops barely a hint as to the plot of "Into the Woods,'' which
she also scripted.
"It's about
... 42 minutes long,'' she says by telephone from the show's
production office in Santa Monica, Calif. "It's about Buffy
and Riley (Marc Blucas), and it will take them ... in a new
direction.
"There's
not really a B-story,'' she adds, "because it is a big Buffy-Riley
episode. It was also a good episode for me to direct because
it's arc-heavy, with a little bit more melodrama, which is what
I write more than the other stuff.''
The Internet
is abuzz with rumors that Riley will soon die, perhaps in "Into
the Woods.'' Noxon refuses comment - "It's about 42 minutes
long,'' repeats the woman who first unleashed the bloodsucking/killing
machine in "The Wish'' and concocted the image of Faith (Eliza
Dushku) strangling Xander (Nicholas Brendon) while she deflowered
him in "The Zeppo'' - but acknowledges that Riley is popularity-challenged.
"A lot
of people just don't like that boy,'' she says. "Some of that
is it's just hard to step out of the shadow of Angel (David
Boreanaz). I still get letters from fans asking us to please
get Buffy and Angel back together.
"Also,
some people think the character is just too much of a straight
guy,'' she adds, "and that's about the writing. That's the
character we saw and the character we wrote. For some people,
he's just too vanilla after Angel.
"We were
in a bit of a pickle after the Initiative stopped because, up
to that point, Riley had something to do, a mission of his own,''
she says. "Then he lost his sense of purpose and kind of became
that guy standing behind Buffy going, `You go, girl!'
"That was
unsexy and we were aware of it, but we were stuck for a little
while,'' Noxon admits. "If you've seen recent episodes, he's
starting to fray around the edges. That's very compelling to
me, that this straight guy is starting to get a little strange.''
Overall,
Noxon considers season five of "Buffy'' among the show's better
ones. The characters are a year away from high school, a year
beyond Angel and the better part of a year past Oz (Seth Green).
Recently
introduced characters, including Dawn (Michelle Trachtenberg)
and Glory (Clare Kramer), are working out, and Spike (James
Marsters) has gleefully returned to his nefarious ways.
"The show
has new life,'' Noxon says. "Not that I felt it was bad last
season, but I feel for some reason that it's a little revitalized
this year. The actors are all doing great work and so far, so
good. The ratings are strong. It's all good.
"On a personal
note, I've felt amazed that I've been on the show this long
and it's still fun, still exciting,'' she adds, "and I feel
like we're doing stories that I think people want to see.''